Schoeffer: Bridging Historical Typography with Modern Design Needs
Blackletter
Schoeffer: Bridging Historical Typography with Modern Design Needs
Peter Schoeffer was a printer who was apprenticed to Gutenburg and after leaving…
★★★★☆ 4.0 FONTS
The Renaissance Revival: Integrating Nicolaus Kesler Type into Modern Design Workflows
Blackletter
The Renaissance Revival: Integrating Nicolaus Kesler Type into Modern Design Workflows
Nicolaus Kesler was a printer of Incunabula in Basel, Switzerland. He produced n…
★★★★☆ 4.0 FONTS
Augsburger 2009: A Historical Typeface with Modern Utility
Blackletter
Augsburger 2009: A Historical Typeface with Modern Utility
This typeface was inspired strongly by one of Ernhardt Ratdolt’s 1442-1528 many …
★★★★☆ 4.0 FONTS
Albrecht Pfister: The Pioneering Printer of Bamberg
Blackletter
Albrecht Pfister: The Pioneering Printer of Bamberg
Herr Pfister was a printer in the city of Bamberg Bavaria. He is known to have p…
★★★★☆ 4.0 FONTS
Lion of Antwerp: A Typographic Tribute to Gerard Leeu
Blackletter
Lion of Antwerp: A Typographic Tribute to Gerard Leeu
This font is based on Gerard Leeu s output. He was a printer based in Gouda and …
★★★★☆ 4.0 FONTS
Arnold Therhoernen: The Printer Who Changed Reading
Blackletter
Arnold Therhoernen: The Printer Who Changed Reading
Arnold Therhoernen. Arnoldus ther Hornen, Drucker des Dictys , Arnold ter Hoerne…
★★★★☆ 4.0 FONTS
Willie Caxton: The Digital Typeface That Bridges 500 Years of Typographic History
Blackletter
Willie Caxton: The Digital Typeface That Bridges 500 Years of Typographic History
William Caxton was a printer in the city of London beginning around 1476 to his …
★★★★☆ 4.0 FONTS
1873 Winchester: A Timeless Type for Bold Branding
Blackletter
1873 Winchester: A Timeless Type for Bold Branding
Old time font that s just as good for high end mustache wax as it is for gritty …
★★★★☆ 4.0 FONTS
Evaluating Amerbach 883: A Practical Guide to Its Historical Roots and Modern Application
Blackletter
Evaluating Amerbach 883: A Practical Guide to Its Historical Roots and Modern Application
Amerbach 883 is a wonderful combination of Majuscules that are really fancifully…
★★★★☆ 4.0 FONTS
Konrad Kachelofen: A Historic Typeface for Modern Design
Blackletter
Konrad Kachelofen: A Historic Typeface for Modern Design
Konrad Kachelofen was a printer in the city of Leipzig beginning around 1483. He…
★★★★☆ 4.0 FONTS
Kachelofen: A Typeface With History, Character, and Practical Versatility
Blackletter
Kachelofen: A Typeface With History, Character, and Practical Versatility
Konrad Kachelhofen was a printer in the city of Leipzig beginning around 1483. H…
★★★★☆ 4.0 FONTS
Andreae: The Legacy of Fraktur and Nuremberg’s Printing Revolution
Blackletter
Andreae: The Legacy of Fraktur and Nuremberg’s Printing Revolution
Hieronymus Andreae or latter in life Hieronymus Formenschneider as he proudly to…
★★★★☆ 4.0 FONTS
‹ Prev123456789Next ›